Abstract art
Abstract art uses a visual
language of form, color and line to create a composition which may
exist with a degree of independence from visual references in the world. Western art had
been, from the Renaissance up to the middle of the 19th century,
underpinned by the logic ofperspective and an attempt to reproduce
an illusion of visible reality. The arts of cultures other than the European
had become accessible and showed alternative ways of describing visual
experience to the artist. By the end of the 19th century many artists felt a
need to create a new kind of art which would encompass the fundamental changes
taking place in technology, science and philosophy. The sources from which
individual artists drew their theoretical arguments were diverse, and reflected
the social and intellectual preoccupations in all areas of Western culture at
that time.
Abstract art, nonfigurative art, nonobjective art, and
nonrepresentational art are loosely related terms. They are similar, but
perhaps not of identical meaning.
Abstraction indicates a departure from reality in depiction
of imagery in
art. This departure from accurate representation can be slight, partial, or
complete. Abstraction exists along a continuum. Even art that aims for
verisimilitude of themutually exclusive. highest degree can be said to be abstract, at
least theoretically, since perfect representation is likely to be exceedingly
elusive. Artwork which takes liberties, altering for instance color and form in
ways that are conspicuous, can be said to be partially abstract. Total
abstraction bears no trace of any reference to anything recognizable. Ingeometric abstraction, for instance, one is
unlikely to find references to naturalistic entities. Figurative
art and total abstraction are almostBut figurative and representational (or realistic) art often contains partial abstraction.
Both geometric abstraction and lyrical abstraction are often totally
abstract. Among the very numerous art movements that
embody partial abstraction would be for instance fauvism in
which color is conspicuously and deliberately altered vis-a-vis reality, and cubism, which
blatantly alters the forms of the real life entities depicted.
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